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Head of the Jury Film Director IM Kwon-taek
Undisputedly the most respected and influential
director in Korea. Through his 100 films from
Farewell Tumen River(1962) to Beyond
the Years(2007), he has consistently promoted
humanism and Korean colors. He won Best Director
at Cannes International Film Festival in 2002
and Honorary Golden Bear at Berlin International
Film Festival in 2005. |
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Jury Cinematographer JEONG Il-sung
Debuted with JO Keung-ha’s Farewell Sorrow(1957)
and created masterpieces in Korean film history
with directors like KIM Soo-young, KIM Ki-young
and IM Kwon-taek. He has been working with
IM Kwon-taek for over 20 years from Mandara(1081)
to Beyond the Years(2007). The 7times
winner of Best Cinematography at Daejong Film
Award, he is apparently the best cinematographer
in Korea. |
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Jury Film Actor JO Jae-hyun
Working in film, threater and TV, he is recognized
as the actor with originality and his own
colors. He presented strong, masculine characters
in many films such as Crocodile and
Bad Guy, but never settled in a particulr
genre or character. Viewers and audiences
love him for his sincerity and versatility.
He has been helping youth culture and its
development in the field of film and media,
including lecturing last year at 9 th SIYFF
Camp. |
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Jury President of a film production company
CHO Kwang-hee
Entered the film industry by joining the enactment
of ‘film promotion law’ as a lawyer in 1996.
He worked in films like Woman on the Beach,
Untold Scandal and The Uninvited
as an executive producer, and is now the president
of the film production company ‘Bom’ |
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Jury Animation Director LEE Yong-bae
Won the Golden Prize at Korea Cartoon and
Animation Festival with the short animation,
The Shower. He is particularly interested
in youth culture and education as well as
in independent animation. Currently a professor
at Kaywon School of Art & Design. |
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Jury Film Critic BYEON Seong-chan
A researcher at Research Machine ‘Suyu+Trans.’
He won the 7 th Vine21. Award for film critic,
and has been writing on diverse areas from
independent human rights films to Hollywood
films, crossing the boundaries between philosophy
and film. |
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Jury Film Director BYEON Young-joo
Debuted with documentary To Live as a Woman
in Asia(1993). Through the series of documentary,
Habitual Sadness, she brought out the
hidden stories of Korean women forced into
sex slavery for Japanese army during World
War 2. She directed Ardor(2002) and
Flying Boys(2004), and has been broadening
her interests into film drama. |
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